Welcome to the brand new Maple Street Dolls House Gallery!

Having attained the age at which a certain government department sends you a little book which entitles you to queue at your local post office once a week I decided there was going to be a bit more to my life, so I treated myself to a Victorian cottage and basement!

After basic construction, extra walls and doors were added to allow all members of the household to travel from the public pavement to the attic via stairways and hallways without going outside or through private rooms in the house itself.

The flagstone basement consists of kitchen to the left and laundry room to the right all fitted with the latest appliances of the day. Whilst the ground floor sees us looking into a typical Victorian parlour and dining room with all the usual clutter. The first floor houses a large bedroom on one side and bathroom/toilet on the other and finally the attic rooms are fitted out to accommodate a child’s bedroom with space on the other side for a live in nanny.

As with our other house, the OLDE COACHING INN (shown elsewhere in this gallery) all exterior finishes were covered in authentic bricks, welsh slate and flagstones. Guttering and drainpipes were also added for the final touch and we believe they make the house look extremely realistic!

As with our second house we loved every minute of it and I am afraid we have now well and truly got the ‘bug’!

Marion Godsafe, Ashingdon, England

Having just completed my first dolls house (a Victorian cottage) I decided I needed a bit of a challenge and took a trip to Maple Street. There I found just what I was looking for - a superb Tudor Coaching Inn! .

I decided early on that I did not want the property to be set only in the Tudor era - this would have been too constricting when it came to choosing lights and furniture. My house was going to combine the best features of both ancient and modern so the interior is set firmly in the modern era!

One side of the ground floor is a public house with a detailed bar (complete with happy customers!) whilst the other side has a old fashioned general store. The middle floor consists of a kitchen, restaurant and toilet blocks ( male and female!) and finally the top floor houses a games room, reading room and cloakroom.

Whilst we were building the kit we had a great idea and the chimneys were hollowed out to incorporate actual inglenook fireplaces. The bar has a mirror fitted on the rear wall to reflect the whole room.
We wanted to really go to town on this kit and spent many hours on the exterior finishes. The roof,walls and courtyard are all individual authentic tiles, bricks and stone(over 15,000 in all!).

Enjoyed every minute!! Marian Godsafe, Ashingdon, England

This Sid Cooke Regency Shop box was my first attempt at the 1/12th world. I was immediately impressed by the comprehensive instructions and although I found some parts tricky to assemble, on the whole it went smoothly.

I found it easier to paint individual components before attaching them to the house, the windows in particular would have been impossible had they been glued to the front prior to me getting the paintbrush out. I wanted the exterior to have a ‘rough’ texture, and at that moment in time I had not discovered the amazing stone coating products offered by Charles Products. To create the look I was after I first covered the sides in a thin layer of polyfiller, then when that was almost dry I stippled my yellow paint on. I then tried to get a little ‘arty’ and painted some trailing flowers and foliage around the windows and doors.

Inside I pretty much knew how I wanted it to look; I had already spotted a William Morris paper that I absolutely adored, it is called Pimpernel and I thought it would be perfect for my Antique Shop. Together with the green paint (tester pot from Homebase) and the wooden floor, it created just the image I was after.

I had already collected quite a few pieces to go on the shelves and over the years I have added to these. I tried my hand at painting and re-covering a chair; I also tried some of the Phoenix metal kits which really are lovely to paint. I think that Gino, the proprietor has an unusual, eclectic mix of bits and bobs in his shop; and if I were 1/12th then I’d definitely step inside to browse around!

Lucy Titchmarsh , Orwell, England

We bought a 1/24th house as we already had a 1/12th house and of course, space is a premium. This is our third house. We choose this particular house as it was small enough to fit the space we had and had the advantage of having the shops in the basement section.Price was also a factor with nothing coming close for the price. Janice decided that she wanted a flower shop and a pub. We thought this would be a good mix and new fitments were available for both. I bought the Maple Street Country House as a Christmas present for my wife.Why this particular house? Because it gives so much scope. If you purchase the basement you will not only have a house but also two shops as well.

Having looked at what is available in 1/24th and after seeing the finished article in the Maple Street store. I decided that this was the best value for money for a house and shop combined.

It was a straight forward build which anyone who can follow basic instructions could build. Of course the more effort you put in the better the finished article will be.

The house has lights throughout including the secret room in the archway.

This house and shop should cover all your needs for a 1/24th project and we are very please with our choice.

Tips: Take your time and familiarise yourself with all the parts. Have a dry run holding everything together with masking tape first.I used 3m spray adhesive, which makes paperhanging very easy, but also very costly. Groove out channels for the wiring. Not really necessary in this scale but does make for a neater job. We used modelling cable ties at the back to keep the wiring neat and tidy. Also we used 1/12th plugs and sockets as we found the 1/24th very fiddly.

Alan and Janice Maynard, Turnford, England

When we first started designing and selling our own houses, Basements always presented a problem! Sitting a house on top of a basement effectively left the front door in mid air, so some sort of staircase had to be designed to allow access. At the time, there were two main Basement types - either the whole front assembly (usually a pavement or maybe a set of ornate steps) pulled off to reveal the rooms underneath the house, or the sides opened allowing access to the rooms. Both methods were fairly unwieldy and left a lot to be desired.

To try and remedy this, the first Basements we designed had sliding doors, and we found they worked well. We always felt though, that there must be a way of designing a basement so it would add real value to the house, rather than just provide a couple of extra rooms. One day, Dave was doodling on a pad when he overheard a conversation with a customer who could not decide between a house or a shop. It struck him that it might be nice to have a shop to position under a house but how could the staircase work? And then he realised - why have a staircase at all? In the Cotswolds he had seen raised pavements in towns with two levels - it made sense!

And so our popular unique Arcade Basements came about. you not only got two shops and two pavements but an alley as well (with a secret window at the back!). and sliding the doors meant you did not have to remove railings every time you wanted to open it!

Maple Street, Royston, England

Following the success of our first large Tudor kit - the Coach Inn, we decided to design another, with a smaller base, which could also fit in a corner if required. We felt it had to be usable, but also look like a realistic, interesting Tudor building. We looked at the way buildings were made and found that many had an open market space underneath, topped by increasingly larger floors as you went higher.

The reason for this was that at the time, there was a tax on the actual area taken up by the base of the structure which touched the ground - overhanging floors were tax free! We felt that the idea of a market was a good one, allowing miniaturists more scope for their talents.

The main problem we had with the early kits was getting the beams to look good. Other Tudor modellers used hardwoods, which required a lot of cutting and filing to look good. Because of their weight, the beams also had to be clamped when glued making construction tricky. after some research we discovered a type of fine grained balsa, which was not only extremely light, but could be easily cut and shaped with any craft knife (even scissors!). We also found that when gently sanded they took our walnut stain really well and looked extremely realistic - just look at the four mighty pillars which support the building!

Maple Street, Royston, England